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War Rugs -- Afghanista...
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1.
AK47
War rugs--Afghanistan--History--20th century ; War rugs--Afghanistan--History 21st century ; War rugs--Middle East--History--20th century ; War rugs--Middle East--History--21st century ; War rugs--Asia, Central--History--20th century ; War rugs--Asia, Central--History--21st century ; AK-47 rifle
This rug features the ubiquitous AK-47 Soviet assault rifle as well as several helicopters, personnel carriers, grenades and what may be a missile. The style has proven popular abroad and has been widely reproduced. Rendered with sensitivity, it suggests what must be a great visual awareness of weapons
2.
AK47
War rugs--Afghanistan--History--20th century ; War rugs--Afghanistan--History 21st century ; War rugs--Middle East--History--20th century ; War rugs--Middle East--History--21st century ; War rugs--Asia, Central--History--20th century ; War rugs--Asia, Central--History--21st century ; AK-47 rifle
The AK-47 or Kalashnikov is a Soviet assault rifle developed in the 1940’s. It was used by the Soviet troops in Afghanistan, hence this carpet with its imposing rifle, might suggest Russian occupation. However, AK-47 copies were also used by the Mujahidin and the Taliban. Depending on the viewer the rug could suggest freedom from foreign political or ideological oppression. To the foreign nationals who purchased the rug, it is likely the rifle is emblematic of Afghanistan and complex counterinsurgency
3.
Bridge Rug
War rugs--Afghanistan--History--20th century ; War rugs--Afghanistan--History 21st century ; War rugs--Middle East--History--20th century ; War rugs--Middle East--History--21st century ; War rugs--Asia, Central--History--20th century ; War rugs--Asia, Central--History--21st century ; Afghanistan--social life and customs
This colourful rug appears to depict a modern-looking bridge over a busy street lined with traffic. At one end of the street is a mosque and in the sky are helicopters and jets. It is not clear whether the rug is depicting some real or hoped for!
4.
Clock Tower I
War rugs--Afghanistan--History--20th century ; War rugs--Afghanistan--History--21st century ; Afghanistan--Social life and customs
There are increasing numbers of carpets featuring Afghan cityscapes and heritage sites. This one represents a clock tower, likely in Kabul with a river and rows of vehicles. It is surrounded by a particularly bold, traditional border. From the vantage point of an outsider, it functions like a postcard; evoking memories of visited places and events. It is also possible, however, that it speaks to an emergent Afghan nationalism, celebrating local history.
5.
Constitution
War rugs--Afghanistan--History--21st century ; War rugs--Middle East--History--21st century ; War rugs--Asia, Central--History--21st century ; Constitutions--Afghanistan ; Afghanistan--Politics and government--2001-
Another rug featured in the 2006 exhibition, “Made in Afghanistan”, which was not in Rob Fyke’s collection was one we called “Constitution”. This rug was based on a poster promoting an Afghan-authored constitution. It featured a map of Afghanistan on which nine individuals (including two women) representing different ethnic communities, are arranged around an inscribed white sheet. For any of the Afghans who visited the exhibition, this seemed to be the only rug that interested them. Once again, Rob wrote to his Peshawar friend and rug dealer, with a request to order a copy of this rug. Apparently, the rug (or perhaps the original poster) was not as well known as he might have liked. The borrowed rug is part of the collection of the Textile Museum of Canada.
6.
Constitution
War rugs--Afghanistan--History--21st century ; War rugs--Middle East--History--21st century ; War rugs--Asia, Central--History--21st century ; Constitutions--Afghanistan ; Afghanistan--Politics and government--2001-
Another rug featured in the 2006 exhibition, “Made in Afghanistan”, which was not in Rob Fyke’s collection was one we called “Constitution”. This rug was based on a poster promoting an Afghan-authored constitution. It featured a map of Afghanistan on which nine individuals (including two women) representing different ethnic communities, are arranged around an inscribed white sheet. For any of the Afghans who visited the exhibition, this seemed to be the only rug that interested them. Once again, Rob wrote to his Peshawar friend and rug dealer, with a request to order a copy of this rug. Apparently, the rug (or perhaps the original poster) was not as well known as he might have liked. The borrowed rug is part of the collection of the Textile Museum of Canada.
7.
Exodus of the Soviet Union I
War rugs--Afghanistan--History--20th century ; War rugs--Afghanistan--History--21st century ; Afghanistan--History--Soviet occupation, 1979-1989 ; Afghanistan--Politics and government--1989-2001 ; Military weapons
This rug commemorates the departure of Soviet forces from Afghanistan. On the “Friendship Bridge”, heading north, are three Soviet BTR 60A Armoured Personnel Carriers. On the bloody red map of Afghanistan are what appear to be Soviet Mil Mi-24 Helicopters (aka Hind) with three Mil Mi-28 Helicopters (aka Havoc) in the air above the map. The rug also features AK-47s, several grenades, and two RPG 7V Grenade Launchers. The inscription refers to the departure of the Soviets.
8.
Exodus of the Soviet Union II
War rugs--Afghanistan--History--20th century ; War rugs--Afghanistan--History--21st century ; Constitutions--Afghanistan ; Afghanistan--Politics and government--1989-2001
This rug is very similar to 2009.011.000 suggesting that popular designs are shared among weavers.
9.
Landmine Awareness Poster
War rugs--Afghanistan--History--21st century ; War rugs--Middle East--History--21st century ; War rugs--Asia, Central--History--21st century ; Military weapons
Since 2002 Afghan refugees living in Pakistan have been encouraged to return home. While living conditions have not always been ideal, many refugees have never known ‘home’ and are reluctant to leave. Not only is there great economic uncertainty in returning, there are potential hazards. These posters identify the most common types of landmines found in Afghanistan and the need for great care.
10.
Made in Afghanistan
War rugs--Afghanistan--History--20th century ; War rugs--Afghanistan--History 21st century ; War rugs--Middle East--History--20th century ; War rugs--Middle East--History--21st century ; War rugs--Asia, Central--History--20th century ; War rugs--Asia, Central--History--21st century; Military weapons ; Vehicles, Miliary ; Maps, Afghanistan
This carpet was likely woven in a workshop in a refugee camp in Pakistan. Many war rugs from period have become ‘poster-like’ in size, in feel (very dense and hard) and with the use of strong hard-edged graphics on a white ground. This piece depicts a variety of arms and vehicles of Soviet manufacture arranged around and on a green map of Afghanistan. The diagonal band protruding from the top of the map is the ‘Friendship Bridge”, formerly used to transport supplies to Russian soldiers, but here depicting their exodus. The Dari language inscriptions refer to their departure.
11.
Map of Afghanistan with Provinces
War rugs--Afghanistan--History--20th century ; War rugs--Afghanistan--History--21st century ; War rugs--Middle East--History--20th century ; War rugs--Middle East--History--21st century ; War rugs--Asia, Central--History--20th century ; War rugs--Central, Asia--History--21st century ; Afghanistan--Social life and customs ; Maps, Afghanistan
This woven map of Afghanistan shows the provincial boundaries. At the top (right hand side) of the rug is a symbol that may represent the Afghan Coat of Arms.
12.
Massoud
War rugs--Afghanistan--History--21st century ; War rugs--Middle east--History--21st century ; Afghanistan--Social life and customs ; Massoud, Ahmed Shah, 1953-2001
Ahmad Shah Massoud was a prominent commander of the Mujahidin during the Soviet occupation and an outspoken critic of the Taliban. Two days before 9-11, he was assassinated by suicide bombers posing as reporters. He was nominated for a Nobel peace prize and awarded the title ‘Hero of the Afghan Nation’ by the interim government led by Hamid Kharzai in 2001. Images of Massoud, including rugs, have great currency in Afghanistan. This depiction shows a young, vigorous Massoud surrounded by inscriptions and symbols attesting to his untimely death, his faith, and courage.
13.
Najibullah
War rugs--Afghanistan--History--20th century ; War rugs--Middle East--History--20th century ; War rugs--Asia, Central--History--20th century ; Afghanistan--Politics and government, 1989-2001 ; Afghanistan--History--Soviet occupation, 1979-1989 ; Najibullah, Mohammad, 1947-1996
Mohammad Najibullah Ahmadzai was the last president of the Democratic Republic of Afghanistan, left in power by the Soviets after their withdrawal in 1989. He was detested by the Taliban for being anti-Islamic and a Communist. In 1996, after the Taliban seized Kabul, he was tortured and hung. His image here with the Soviet hand holding him in place is a graphic reminder of the lingering effects of the Cold War.
14.
Najibullah
War rugs--Afghanistan--History--20th century ; War rugs--Middle East--History--20th century ; War rugs--Asia, Central--History--20th century ; Afghanistan--Politics and government, 1989-2001 ; Afghanistan--History--Soviet occupation, 1979-1989 ; Najibullah, Mohammad, 1947-1996
Mohammad Najibullah Ahmadzai was the last president of the Democratic Republic of Afghanistan, left in power by the Soviets after their withdrawal in 1989. He was detested by the Taliban for being anti-Islamic and a Communist. In 1996, after the Taliban seized Kabul, he was tortured and hung. His image here with the Soviet hand holding him in place is a graphic reminder of the lingering effects of the Cold War.
15.
Najibullah
War rugs--Afghanistan--History--20th century ; War rugs--Middle East--History--20th century ; War rugs--Asia, Central--History--20th century ; Afghanistan--Politics and government, 1989-2001 ; Afghanistan--History--Soviet occupation, 1979-1989 ; Najibullah, Mohammad, 1947-1996
Mohammad Najibullah Ahmadzai was the last president of the Democratic Republic of Afghanistan, left in power by the Soviets after their withdrawal in 1989. He was detested by the Taliban for being anti-Islamic and a Communist. In 1996, after the Taliban seized Kabul, he was tortured and hung. His image here with the Soviet hand holding him place is a graphic reminder of the lingering effects of the Cold War.
16.
Najibullah
War rugs--Afghanistan--History--20th century ; War rugs--Middle East--History--20th century ; War rugs--Asia, Central--History--20th century ; Afghanistan--Politics and government, 1973-1989 ; Afghanistan--History--Soviet occupation, 1979-1989 ; Najibullah, Mohammad, 1947-1996
In 2006 Robert Fyke collaborated on an exhibition of war rugs at The Nickle Arts Museum called “Made in Afghanistan: Rugs and Resistance, 1979-2005”. We chose to examine the development of war rugs borrowing selected examples to complement our scheme. One of the rugs that Rob’s collection did not have was Najibullah—a rug we believed was commonly known and traded. In the fall of 2005, Rob wrote to his Peshawar rug dealer friend and drew a quick sketch of the rug he had in mind. Two years later, this bizarre, thumb-nail sketch of a rug arrived in Calgary.
17.
Najibullah
War rugs--Afghanistan--History--20th century ; War rugs--Middle East--History--20th century ; War rugs--Asia, Central--History--20th century ; Afghanistan--Politics and government, 1973-1989 ; Afghanistan--History--Soviet occupation, 1979-1989 ; Najibullah, Mohammad, 1947-1996
In 2006 Robert Fyke collaborated on an exhibition of war rugs at The Nickle Arts Museum called “Made in Afghanistan: Rugs and Resistance, 1979-2005”. We chose to examine the development of war rugs borrowing selected examples to complement our scheme. One of the rugs that Rob’s collection did not have was Najibullah—a rug we believed was commonly known and traded. In the fall of 2005, Rob wrote to his Peshawar rug dealer friend and drew a quick sketch of the rug he had in mind. Two years later, this bizarre, thumb-nail sketch of a rug arrived in Calgary.
18.
Najibullah and Uncle Sam
War rugs--Afghanistan--History--20th century ; War rugs--Middle East--History--20th century ; War rugs--Asia, Central--History--20th century ; Afghanistan--Politics and government, 1973-1989 ; Afghanistan--History--Soviet occupation, 1979-1989 ; Najibullah, Mohammad, 1947-1996
This rug is a variation of the Najibullah rugs. Beside the wide-eyed Najibullah, is Uncle Sam’s Hat with an AK-47 protruding from it. It speaks to the foreign occupation and control of Afghanistan. The map of Afghanistan behind the figures is typically green (for an Islamic state?)—here it is white. As in the other rugs of this type, the red area above Afghanistan is figured with Soviet vehicles, while the blue area below is filled with people and animals.
19.
Carpet weaving : history
Carpets ; Weaving
Carpet weaving appears to have developed in those areas where there was an abundant supply of wool and the need for warm, portable, furnishings.
20.
Carpet weaving : elements
Carpets ; Weaving
Pile weaving consists of three fibre elements and two main knot types, Turkish and Persian. Nomadic weavers tend to use portable horizontal looms whereas those from settled communities are more likely to use looms with a vertical frame.
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